SPEC.md1--- 2title: TASK FAILED SUCCESSFULLY 3theme: jev 4status: made 5song: song.js 6measured: {"date":"2026-09-26","song":"4a94bbb1a6a8","total":{"loudnessDbfs":-18.9,"peakDbfs":-1.7},"parts":{"bass":{"loudnessDbfs":-27.4,"peakDbfs":-11.1},"drums":{"loudnessDbfs":-23.3,"peakDbfs":-4.1},"other":{"loudnessDbfs":-32.6,"peakDbfs":-1.9},"stabs":{"loudnessDbfs":-32.9,"peakDbfs":-13.8},"vocals":{"loudnessDbfs":-26.8,"peakDbfs":-4.6},"xp":{"loudnessDbfs":-24.4,"peakDbfs":-11}},"sections":{"1-4":{"total":{"loudnessDbfs":-21.9,"peakDbfs":-12.3},"parts":{"xp":{"loudnessDbfs":-21.9,"peakDbfs":-12.3}}},"5-8":{"total":{"loudnessDbfs":-22.2,"peakDbfs":-11},"parts":{"drums":{"loudnessDbfs":-40.9,"peakDbfs":-21.1},"xp":{"loudnessDbfs":-22.1,"peakDbfs":-12.3}}},"9-12":{"total":{"loudnessDbfs":-20,"peakDbfs":-3},"parts":{"bass":{"loudnessDbfs":-31.8,"peakDbfs":-20.1},"drums":{"loudnessDbfs":-22.5,"peakDbfs":-7.5},"vocals":{"loudnessDbfs":-24.7,"peakDbfs":-4.6},"xp":{"loudnessDbfs":-32.8,"peakDbfs":-12.3}}},"13-16":{"total":{"loudnessDbfs":-19.2,"peakDbfs":-2.3},"parts":{"bass":{"loudnessDbfs":-33.1,"peakDbfs":-20.1},"drums":{"loudnessDbfs":-23.1,"peakDbfs":-7.5},"vocals":{"loudnessDbfs":-21.8,"peakDbfs":-4.7}}},"17-20":{"total":{"loudnessDbfs":-18.9,"peakDbfs":-3.2},"parts":{"bass":{"loudnessDbfs":-31.8,"peakDbfs":-20.1},"drums":{"loudnessDbfs":-22.4,"peakDbfs":-7.5},"stabs":{"loudnessDbfs":-29.4,"peakDbfs":-13.8},"vocals":{"loudnessDbfs":-22.7,"peakDbfs":-5.3},"xp":{"loudnessDbfs":-37.5,"peakDbfs":-11.5}}},"21-24":{"total":{"loudnessDbfs":-18,"peakDbfs":-1.7},"parts":{"bass":{"loudnessDbfs":-24.4,"peakDbfs":-11.1},"drums":{"loudnessDbfs":-22.2,"peakDbfs":-4.1},"stabs":{"loudnessDbfs":-31,"peakDbfs":-14.3},"vocals":{"loudnessDbfs":-88.1,"peakDbfs":-62.9},"xp":{"loudnessDbfs":-22,"peakDbfs":-11.5}}},"25-28":{"total":{"loudnessDbfs":-18,"peakDbfs":-4.3},"parts":{"bass":{"loudnessDbfs":-24.5,"peakDbfs":-11.4},"drums":{"loudnessDbfs":-22.4,"peakDbfs":-7.3},"stabs":{"loudnessDbfs":-30.9,"peakDbfs":-14.5},"xp":{"loudnessDbfs":-21.8,"peakDbfs":-12.3}}},"29-32":{"total":{"loudnessDbfs":-19.1,"peakDbfs":-5},"parts":{"bass":{"loudnessDbfs":-25.1,"peakDbfs":-11.6},"drums":{"loudnessDbfs":-23.4,"peakDbfs":-7.1},"stabs":{"loudnessDbfs":-31.9,"peakDbfs":-14.3},"vocals":{"loudnessDbfs":null,"peakDbfs":null},"xp":{"loudnessDbfs":-22.7,"peakDbfs":-12.3}}},"33-36":{"total":{"loudnessDbfs":-18.6,"peakDbfs":-2},"parts":{"bass":{"loudnessDbfs":-31,"peakDbfs":-15.3},"drums":{"loudnessDbfs":-22.5,"peakDbfs":-7.5},"vocals":{"loudnessDbfs":-21.5,"peakDbfs":-4.6},"xp":{"loudnessDbfs":-32.9,"peakDbfs":-12.3}}},"37-40":{"total":{"loudnessDbfs":-19.4,"peakDbfs":-3},"parts":{"bass":{"loudnessDbfs":-31.5,"peakDbfs":-20.1},"drums":{"loudnessDbfs":-22.4,"peakDbfs":-7.5},"stabs":{"loudnessDbfs":null,"peakDbfs":null},"vocals":{"loudnessDbfs":-23,"peakDbfs":-5.4}}},"41-44":{"total":{"loudnessDbfs":-18.8,"peakDbfs":-3.2},"parts":{"bass":{"loudnessDbfs":-31.7,"peakDbfs":-20.1},"drums":{"loudnessDbfs":-22.4,"peakDbfs":-7.5},"stabs":{"loudnessDbfs":-29.4,"peakDbfs":-13.8},"vocals":{"loudnessDbfs":-22.2,"peakDbfs":-5.3},"xp":{"loudnessDbfs":-38.8,"peakDbfs":-11.5}}},"45-48":{"total":{"loudnessDbfs":-17.7,"peakDbfs":-2.3},"parts":{"bass":{"loudnessDbfs":-23.8,"peakDbfs":-11.8},"drums":{"loudnessDbfs":-22.1,"peakDbfs":-4.1},"stabs":{"loudnessDbfs":-30.8,"peakDbfs":-14.3},"vocals":{"loudnessDbfs":-76.7,"peakDbfs":-52.7},"xp":{"loudnessDbfs":-21.9,"peakDbfs":-11.5}}},"49-52":{"total":{"loudnessDbfs":-17.7,"peakDbfs":-4.9},"parts":{"bass":{"loudnessDbfs":-24.2,"peakDbfs":-11.3},"drums":{"loudnessDbfs":-22.1,"peakDbfs":-7.1},"stabs":{"loudnessDbfs":-31.3,"peakDbfs":-14.5},"xp":{"loudnessDbfs":-21.5,"peakDbfs":-11}}},"53-56":{"total":{"loudnessDbfs":-17.7,"peakDbfs":-3},"parts":{"bass":{"loudnessDbfs":-24.9,"peakDbfs":-11.5},"drums":{"loudnessDbfs":-22,"peakDbfs":-7.3},"stabs":{"loudnessDbfs":-31,"peakDbfs":-14.3},"xp":{"loudnessDbfs":-21.5,"peakDbfs":-11}}},"57-60":{"total":{"loudnessDbfs":-17.5,"peakDbfs":-3.7},"parts":{"bass":{"loudnessDbfs":-24.8,"peakDbfs":-12},"drums":{"loudnessDbfs":-21.9,"peakDbfs":-7.1},"stabs":{"loudnessDbfs":-27.7,"peakDbfs":-14.5},"xp":{"loudnessDbfs":-21.5,"peakDbfs":-11}}},"61-64":{"total":{"loudnessDbfs":-20.2,"peakDbfs":-1.9},"parts":{"bass":{"loudnessDbfs":-40.2,"peakDbfs":-16.4},"drums":{"loudnessDbfs":-46.9,"peakDbfs":-24},"other":{"loudnessDbfs":-20.5,"peakDbfs":-1.9},"stabs":{"loudnessDbfs":-45.8,"peakDbfs":-16.7},"xp":{"loudnessDbfs":-33.1,"peakDbfs":-11}}}}} 7critic: 8 date: 2026-09-26 9 model: jev-1.13.0 10 method: rubric-1 11 art: 0.67 12 artRuns: [0.67, 0.67, 0.66] 13 criteria: 14 hook: 3.1 15 development: 3.8 16 structure: 3.3 17 concept: 4 18 originality: 3.6 19 craft: 2.2 20ideas: 21 - date: 2026-09-24 22 model: claude-opus-5-5 23 harness: claude-code 24 prompt: "Give me some song ideas as prompts, in the same Jev theme: perhaps with actual memes in the vocals, or a vocoder sound." 25 brief: "Upbeat breakcore about Jev's bad days. Memes: \"Task failed successfully\", the Windows XP error sound as percussion, \"Oh no no no no\" and \"Emotional damage\". End with the \"Directed by Robert B. Weide\" theme as the outro. Vocoder chorus: \"Jev is type safe, Jev is fine\"." 26revisions: 27 - rev: 1 28 date: 2026-09-24 29 model: claude-opus-5-5 30 harness: claude-code 31 prompt: "Upbeat breakcore about Jev's bad days. Memes: \"Task failed successfully\", the Windows XP error sound as percussion, \"Oh no no no no\" and \"Emotional damage\". End with the \"Directed by Robert B. Weide\" theme as the outro. Vocoder chorus: \"Jev is type safe, Jev is fine\"." 32 output: null # overwritten by rev 2 33 art: 0.61 34 artRuns: [0.61, 0.61, 0.61] 35 - rev: 2 36 date: 2026-09-24 37 model: claude-opus-5-5 38 harness: claude-code 39 prompt: "Let Jev arrange the song as it plays. Split it into named parts and cut it into 4-bar sections, each listing the sections allowed to follow it; at every section Jev picks the next section, the move to play it with (as written, no breaks, a breakdown of amen and bass, or the XP riff over the amen), and how intense it is, and ends the song by choosing the Weide theme, with a cap of 28 sections. Tell Jev the tempo, key, chords, lyrics and everything played so far, and how the listener reacted. Without Jev it plays as written." 40 output: null # overwritten by rev 3 41 art: 0.65 42 artRuns: [0.65, 0.65, 0.65] 43 - rev: 3 44 date: 2026-09-24 45 model: claude-opus-5-5 46 harness: claude-code 47 prompt: "Instead of one move per section, let Jev set each part (the XP error riff, the amen and kick, the chord stabs, the bass, the vocals) out, back or full for the section, each on its own orbit, and pick how the song moves into the section over the last bar before it: a cut, an amen snare roll, the XP error sound stuttering up as a riser, or a one-beat dropout. The Weide theme holds three bars and fades over the fourth, so it ends with its section, and its last beat always plays. Without Jev every part plays full and each section comes in on a cut." 48 output: null # overwritten by rev 4 49 art: null # not scored: the song.js before rev 4 was recorded is rev 2's, not rev 3's 50 - rev: 4 51 date: 2026-09-25 52 model: claude-opus-5-5 53 harness: claude-code 54 prompt: "Fix the mix and make every line true and heard. Stop the clipping: peaks at or under -1 dBFS, the drums 3-4 dB over the vocals and bass, the stabs within about 10 dB of the drums, and every amen slice cut to its step so the rolls stop stacking. Every verse line, the chorus and the three memes always play, outside Jev's parts, and both verses always play. Cut \"Oh no no no\" to its words with no laugh, take \"Emotional damage\" from an unclipped source, and re-render the lines until two whisper models read them word for word, \"Jev\" and the past tenses included. Replace the lines that describe the projects wrongly: the options were reversed, not shuffled, and flipped thirty-two of two hundred answers; ranking that did not help is a bad day, not a wrong pick. Land the XP stutters and transitions in the gaps between words, and spell the chorus stutter on its G chord. Make both drops build, section by section, with 32nd, 64th and 128th rolls, the XP riff an octave up, the reese opening and extra stabs at the peak. Play the Weide theme at the voices' level, outside the energy. Use a real crash, raise the F root an octave, keep the intro as written, make the dropout a real silence, and ask Jev only about the parts a section has. The song is 64 bars." 55 output: null # overwritten by rev 5 56 art: 0.68 57 artRuns: [0.68, 0.68, 0.67] 58 - rev: 5 59 date: 2026-09-26 60 model: claude-opus-5-5 61 harness: claude-code 62 prompt: "Keep Jev from looping drop 2: it may go round once more at most (drop2 plays at most twice), so no run of drop sections passes 32 bars. Every detour still plays." 63 output: song.js 64 art: 0.67 65 artRuns: [0.67, 0.67, 0.66] 66--- 67 68# TASK FAILED SUCCESSFULLY — spec 69 70`song.js` is generated from this spec. Change the spec first, then the song. 71 72## Intent 73 74Jev's bad days, told as they happened. Jev picks among answers the caller 75writes down, so it never makes one up: "You define the possible answers 76through primitives", and calibration "does not guarantee that an individual 77answer is correct" (https://docs.typesafe.ai/concepts/system-one, retrieved 782026-09-25). The verses are three projects built on it that had a bad day 79(each README retrieved 2026-09-25): 80 81- **jev-axi** (https://github.com/shiftynick/jev-axi): on a 390k-line repo, 82 its file ranking "moved cost and file reads by less than run-to-run noise". 83 A feature that did not help, not Jev picking a wrong option. 84- **jev-orderby-bench** (https://github.com/yodablocks/jev-orderby-bench): 85 ORDER BY over a Jev probability passes on 20 Newsgroups, but on Amazon's 86 product-relevance queries "four of six gate conditions fail". 87- **jev-mcp** (https://github.com/blakestone-x/jev-mcp): reversing the order 88 of a question's options flipped 32 of 200 choices. 89 90## Style 91 92- Upbeat breakcore, 180 bpm, C major (the cheerfulness is the joke): 93 C – G – Am – F, two bars per chord, so each vocoded line sits on one chord. 94 The bass roots are C2, G1, A1 and F2: F1 (43.7 Hz) is below what a laptop 95 plays. 96- Amen edits that are written out and repeatable — fast, but never random. 97 Every slice is cut to its own step, so a roll is a roll, not copies of a 98 slice stacked on each other. 99- The Windows XP error sound pitched and sequenced as a percussion part, 100 following the chords. Its stutter at the end of each chorus spells the 101 bar's chord (G: G B D G). 102- The crash is Dirt-Samples `hh27:1` (a real crash; `cr` is a ride). 103- **Mix.** Peaks at or under −1 dBFS, measured (superdough has no limiter, 104 so a master level sets it). The drums sit about 3–4 dB over the vocals and 105 the bass; the chord stabs sit within about 10 dB of the drums. The Weide 106 theme plays at the voices' level: the clip is 3.5 dB quieter than the 107 lines, so its gain is 3.5 dB higher. 108 109## Structure 110 11164 bars (~1:25) — 60 bars of song, then 4 bars for the outro theme. 112 113| Bars | Section | Contents | 114|---|---|---| 115| 1–8 | Intro | XP error sound as a riff; amen enters on bar 5 | 116| 9–16 | Verse 1 | Vocoder lines 1–4 over a straight amen | 117| 17–20 | Chorus | "Jev is type safe, Jev is fine" (17); "Task failed successfully" (19); XP error stutter (20) | 118| 21–32 | Drop 1 | Instrumental breakcore: written-out amen edits, reese, chord stabs, the XP riff; crash on 21 | 119| 33–40 | Verse 2 | Vocoder lines 5–8; "Oh no no no" answers "Four of six failed" (36) | 120| 41–44 | Chorus | "Jev is type safe, Jev is fine" (41); "Emotional damage" (43); XP error stutter (44) | 121| 45–60 | Drop 2 | Instrumental, building to the peak: 32nd, 64th and 128th rolls | 122| 61–64 | Weide | Everything cuts; the "Directed by Robert B. Weide" theme holds three bars and fades over the fourth | 123 124Fit: 125- Verse 2 starts on bar 33, so each vocoded line lands on the first bar of 126 its chord (the harmony cycles every 8 bars); drop 1 is 12 bars and drop 2 127 is 16. 128- The Weide theme is 10.2 s and its section 4 bars (5.3 s): it holds three 129 bars and fades out over the fourth, so the song ends with its section. 130- In chorus 2, "Emotional damage" takes the place of "Task failed 131 successfully": there is room for one meme before the stutter bar. 132- "Oh no no no" is the clip's words alone, cut at whisper word timings with 133 the laugh before them left out (1.31 s): it fills bar 36 and ends before 134 the next line. 135- The XP stutters and the transitions land in the gaps, never on a word. 136 "Successfully" ends 0.23 s into bar 20 and "Emotional damage" 0.47 s into 137 bar 44 (the clips' measured lengths), so each chorus stutter starts halfway 138 through the bar's second beat (0.5 s in). A transition plays from the 139 second beat of a section's last bar, after any line's tail: "noise" ends 140 0.21 s into bar 16, "two hundred" 0.1 s into bar 40. 141 142## Vocals 143 144- Vocoder, one line per 2 bars: 145 1. "No hallucinations" — C 146 2. "Just the wrong option" — G 147 3. "Ranked the files" — Am 148 4. "Indistinguishable from noise" — F 149 5. "Order by probability" — C 150 6. "Four of six failed" — G 151 7. "Reversed the options" — Am 152 8. "Thirty-two of two hundred" — F 153- Vocoder chorus: "Jev is type safe, Jev is fine." — C (sped up to fit two 154 bars without a pitch change). 155- Memes: "Task failed successfully" (voiced with `speak`, unvocoded: no 156 audio clip exists on myinstants — it is an image meme); the Windows XP 157 error sound; "Oh no no no"; "Emotional damage" (Steven He, from his own 158 video, where it is not clipped); the "Directed by Robert B. Weide" theme. 159- Every line and meme reads back word for word in whisper `small.en` and 160 `medium.en` (`nix run .#transcribe`), "Jev" and the past tenses included 161 (numbers may come back as digits). "Oh no no no" reads as the words it 162 sings, "No, no, no, no": its "oh" is lost in the laugh that is cut away. 163 How each was rendered to pass is recorded in its `samples/README.md` row. 164- Every line, the chorus and the memes always play, at full level, outside 165 Jev's parts, like the ending: they are the story. 166 167## Jev in the booth 168 169Jev arranges the song as it plays, as two jevs declared at the top in 170TypeSafe's own shape (`jev({ state, questions })`, `website/src/jev/`), both 171given the song as state (subject, tempo, key, chords, lyrics): 172 173- **`formJev`** asks one choice: which **section** plays next, among the 174 song's sixteen 4-bar sections. 175- **`djJev`** asks, once that is decided, a level for each part the section 176 has (the XP error riff, the amen and kick, the chord stabs, the bass: out, 177 back or full), a choice of how the song moves **into** the section, and a 178 score for the section's **energy**. 179 Questions in one request cannot see each other's answers, so it is a 180 second request, told the section just chosen (`after: { section }`). 181 182Both are asked every 4 bars (`.every(4, …)`), and the answers are 183composed in ordinary Strudel at the bottom: `walk` holds the form's rules, 184each part plays at its level, the transition plays over the last bar before 185the section, and `energy.score` scales the velocity. 186The sections are 4 bars: the choruses are 4 bars, so 8 would not divide 187them. 188 189**The form.** A section may be followed only by these: 190 191| Section | Bars as written | May be followed by | Plays at most | 192|---|---|---|---| 193| `intro` | 1–4 | amenIn | | 194| `amenIn` | 5–8 | verse1 | | 195| `verse1` | 9–12 | verse1b | | 196| `verse1b` | 13–16 | chorus1 | | 197| `chorus1` | 17–20 | drop1 | | 198| `drop1` | 21–24 | drop1b | | 199| `drop1b` | 25–28 | drop1c, verse2 | | 200| `drop1c` | 29–32 | verse2 | | 201| `verse2` | 33–36 | verse2b | | 202| `verse2b` | 37–40 | chorus2 | | 203| `chorus2` | 41–44 | drop2 | | 204| `drop2` | 45–48 | drop2b | twice | 205| `drop2b` | 49–52 | drop2c | | 206| `drop2c` | 53–56 | drop2d, drop2 | | 207| `drop2d` | 57–60 | weide, drop2, chorus1, verse2 | | 208| `weide` | 61–64 | (the end) | | 209 210**Loops end.** Uncapped, the ways back let Jev repeat drop 2 until the cap: up to 68 bars of it in a row. So drop2, where both of drop 2's loops return, plays at most twice (`times` in `walk`, which counts every play: a loop is a cycle of different sections, and none of them repeats back to back), and each loop goes round once more at most. The longest run of drop 2 any path can now take is 32 bars. Every detour can still play, the written order is never capped, and a section that has played its most is not offered, nor is one that could only reach the ending through one. 211 212These rules are code (`walk`), not Jev: each request offers Jev only the 213sections allowed next. The written order is always allowed, and it is what 214plays when Jev can't be reached. Every path plays both verses: verse 1 215opens the song, and drop 1 always leads to verse 2. The song ends when Jev 216picks `weide`. At 28 sections (about 2½ minutes) the ending is forced. A 217section plays its own bars, so a repeated chorus is that chorus, with its 218own meme. 219 220**What each drop section adds.** The drops build: no two of their sections 221play the same bars. 222 223- `drop1`: amen edits with 32nd and 64th rolls in its second and fourth 224 bars, the reese sweeping, the saw stabs, the XP riff, a crash on the 225 downbeat. 226- `drop1b`: 32nd rolls in every bar and 64ths closing three of them. 227- `drop1c`: 64th rolls in every bar, the busiest edits of the first drop. 228- `drop2`: 32nd and 64th rolls in every bar, a crash on the downbeat. 229- `drop2b`: 64th and 128th rolls, and the XP riff doubled an octave up. 230- `drop2c`: 128th rolls in every bar, and the reese's filter opened wide. 231- `drop2d`, the peak: the densest edits, a last bar of 64th and 128th 232 rolls, and a second, busier layer of square stabs on top. 233 234**The parts.** Each part's level is a choice: out (silent for the 235section), back (half velocity, under the rest) or full (as written). Jev is 236asked only about the parts a section has, and never to drop the part that 237defines it: 238 239| Section | Parts it has | Defines it (back or full only) | 240|---|---|---| 241| `intro` | none: the XP riff plays as written | — | 242| `amenIn` | xp, drums | drums | 243| `verse1`, `verse1b`, `verse2`, `verse2b` | drums, bass | drums | 244| `chorus1`, `chorus2` | drums, stabs, bass, xp (the stutter) | stabs | 245| every drop section | xp, drums, stabs, bass | drums | 246| `weide` | none: the Weide theme plays | — | 247 248A part a section does not have is not asked about. Each part plays on its 249own orbit, named for its question (`xp`, `drums`, `stabs`, `bass`), and the 250lines on `vocals`, so the browser's meter hears each one alone. When Jev 251can't be reached, every part plays in full. What each part is: 252 253- **xp**: the XP error sound as a riff on the chords in `amenIn` and every 254 drop (an octave-up double from `drop2b`), and its stutter at the end of 255 each chorus. 256- **drums**: from bar 5: a thin, high-passed amen in `amenIn`, a straight 257 amen and the kick in the verses and choruses, the written-out edits, the 258 kick and the crash in the drops. 259- **stabs**: the chord stabs, square in the choruses, saw in the drops. 260- **bass**: a plain sub on the chord roots in the verses and choruses, the 261 reese and sub in the drops. 262 263**Into the next section.** Over the last bar of each section, from its 264second beat, the song plays how Jev chose to move into the next one: a 265straight cut, a fill (an amen snare roll doubling up into the first beat), 266a riser (the XP error sound stuttering up an octave, on the xp part's orbit 267and at its level, in a cut group of its own), or a dropout (every part's 268notes stop from the second half of the third beat, the kick is held to one 269beat, so the last beat is silent). Only what suits the change is offered: 270out of a chorus the stutter already rises into the drop, and out of 271`verse2` "Oh no no no" fills the last bar, so those come in on a cut and 272Jev is not asked. The move is sampled from Jev's probabilities (temperature 2731), so a close call does not always come out the same. The Weide section 274has no next section, so nothing plays over its last bar. When Jev can't be 275reached, it is a cut. 276 277**A little chance.** The section is sampled from Jev's 278probabilities at temperature 0.7 (`sample`), so two plays of the song can 279take different paths; the strip shows Jev's top pick beside the one 280sampled. A close call between 281sections is where sampling matters most, so there is no confidence 282threshold: an unsure Jev still picks, and the written order plays only 283when Jev can't be reached. 284 285**Energy** is a four-step ladder, from held back to all out. It scales 286the parts and the transitions together (0.55 to 1), so the mix keeps its 287balance, but never the lines, the intro riff or the Weide theme. No filter 288is added: the amen, stabs and reese already set theirs. 289 290- Bars 1–4 always play as written: the intro riff is not a part. 291- Each request tells Jev the song's state (subject, tempo, key, chords, 292 lyrics), every answer so far, where the song is in its form (the sections 293 allowed next, and those left before the cap), how loud each finished 294 section measured in the browser, and the 🔥/😴 reactions from the 295 listener's tab. 296- This relaxes the constraints below that the song plays once in a fixed 297 order and never varies by chance: the arrangement varies with Jev's 298 choices, which are judgments, with a little sampled chance in the form. 299 300## Constraints 301 302- Plays once from bar 1 and ends; never loops. Sections are absolute-cycle 303 masks, so playback starts from stopped. 304- Structured: patterns vary by section, never by chance. (Random chopping 305 read as noise on the first song.) 306- No sustained background pad; harmony comes from rhythmic parts. 307- Vocals only where the structure table puts them; drops are instrumental. 308- Meme clips are the real audio (myinstants, or YouTube via yt-dlp), cut at 309 word timings measured with whisper.cpp. Vocoder lines are made with 310 `speak` + `vocode` on the chord they land on, and checked by transcribing 311 the result with whisper.cpp. Everything lands in `samples/<sound>/` with 312 a provenance row in `samples/README.md`. 313- Samples load from `samples('jev-samples/strudel.json')`; drums from 314 `github:tidalcycles/dirt-samples`.